oh what a beautiful day, today
in this beautiful month of may

stockhausen iersera al comunale di mo
prob discutibile il suo teatro - a un certo punto è uscita addirittura una "mummia" con un gonghetto...
ma la musica - soprattutto quella elettronica - cmq di qualità

stockhausen seconda serata
qualche dubbio
con lui non si sa mai bene dove finisce il trastullo delirante del narcisista prepotente e dove inizia il sogno coraggioso del visionario generoso

registro interi audio di interi film, da tele+ digitale o dvd digitale a minidisc digitale
e poi me li ascolto - e occasionalmente ci trappolo - una goduria per le mie orecchie

la passione è cominciata con e per i curtains
- titoli di testa o coda
poi è scoppiata devastante

registrati finora
in the bedroom - newman/field
road to perdition - newman/mendes
principessa+guerriero - pale3
ultimo di rohmer
faust 5.0 - delirante film dei fura del baus
l'emploi du temp - jocelyn pook

*field recordings* di vite altrove

"ombre delle idee" è il titolo di bel libro di umberto curi - filosofia del cinema

The Road to Oceania
By WILLIAM GIBSON

VANCOUVER, British Columbia
Walking along Henrietta Street recently, by London's Covent Garden, looking for a restaurant, I found myself thinking of George Orwell. Victor Gollancz Ltd., publisher of Orwell's early work, had its offices there in 1984, when the company published my first novel, a novel of an imagined future.

At the time, I felt I had lived most of my life under the looming shadow of that mythic year - Orwell having found his title by inverting the final digits of the year of his book's completion. It seemed very strange to actually be alive in 1984. In retrospect, I think it has seemed stranger even than living in the 21st century.

I had a valuable secret in 1984, though, one I owed in large part to Orwell, who would have turned 100 today: I knew that the novel I had written wasn't really about the future, just as "1984" hadn't been about the future, but about 1948. I had relatively little anxiety about eventually finding myself in a society of the sort Orwell imagined. I had other fish to fry, in terms of history and anxiety, and indeed I still do.

Today, on Henrietta Street, one sees the rectangular housings of closed-circuit television cameras, angled watchfully down from shop fronts. Orwell might have seen these as something out of Jeremy Bentham, the utilitarian philosopher, penal theorist and spiritual father of the panoptic project of surveillance. But for me they posed stranger possibilities, the street itself seeming to have evolved sensory apparatus in the service of some metaproject beyond any imagining of the closed-circuit system's designers.

Orwell knew the power of the press, our first mass medium, and at the BBC he'd witnessed the first electronic medium (radio) as it was brought to bear on wartime public opinion. He died before broadcast television had fully come into its own, but had he lived I doubt that anything about it would have much surprised him. The media of "1984" are broadcast technology imagined in the service of a totalitarian state, and no different from the media of Saddam Hussein's Iraq or of North Korea today - technologically backward societies in which information is still mostly broadcast. Indeed, today, reliance on broadcasting is the very definition of a technologically backward society.

Elsewhere, driven by the acceleration of computing power and connectivity and the simultaneous development of surveillance systems and tracking technologies, we are approaching a theoretical state of absolute informational transparency, one in which "Orwellian" scrutiny is no longer a strictly hierarchical, top-down activity, but to some extent a democratized one. As individuals steadily lose degrees of privacy, so, too, do corporations and states. Loss of traditional privacies may seem in the short term to be driven by issues of national security, but this may prove in time to have been intrinsic to the nature of ubiquitous information.

Certain goals of the American government's Total (now Terrorist) Information Awareness initiative may eventually be realized simply by the evolution of the global information system - but not necessarily or exclusively for the benefit of the United States or any other government. This outcome may be an inevitable result of the migration to cyberspace of everything that we do with information.

Had Orwell known that computers were coming (out of Bletchley Park, oddly, a dilapidated English country house, home to the pioneering efforts of Alan Turing and other wartime code-breakers) he might have imagined a Ministry of Truth empowered by punch cards and vacuum tubes to better wring the last vestiges of freedom from the population of Oceania. But I doubt his story would have been very different. (Would East Germany's Stasi have been saved if its agents had been able to mouse away on PC's into the 90's? The system still would have been crushed. It just wouldn't have been under the weight of paper surveillance files.)

Orwell's projections come from the era of information broadcasting, and are not applicable to our own. Had Orwell been able to equip Big Brother with all the tools of artificial intelligence, he would still have been writing from an older paradigm, and the result could never have described our situation today, nor suggested where we might be heading.

That our own biggish brothers, in the name of national security, draw from ever wider and increasingly transparent fields of data may disturb us, but this is something that corporations, nongovernmental organizations and individuals do as well, with greater and greater frequency. The collection and management of information, at every level, is exponentially empowered by the global nature of the system itself, a system unfettered by national boundaries or, increasingly, government control.

It is becoming unprecedentedly difficult for anyone, anyone at all, to keep a secret.

In the age of the leak and the blog, of evidence extraction and link discovery, truths will either out or be outed, later if not sooner. This is something I would bring to the attention of every diplomat, politician and corporate leader: the future, eventually, will find you out. The future, wielding unimaginable tools of transparency, will have its way with you. In the end, you will be seen to have done that which you did.

I say "truths," however, and not "truth," as the other side of information's new ubiquity can look not so much transparent as outright crazy. Regardless of the number and power of the tools used to extract patterns from information, any sense of meaning depends on context, with interpretation coming along in support of one agenda or another. A world of informational transparency will necessarily be one of deliriously multiple viewpoints, shot through with misinformation, disinformation, conspiracy theories and a quotidian degree of madness. We may be able to see what's going on more quickly, but that doesn't mean we'll agree about it any more readily.

Orwell did the job he set out to do, did it forcefully and brilliantly, in the painstaking creation of our best-known dystopia. I've seen it said that because he chose to go there, as rigorously and fearlessly as he did, we don't have to. I like to think there's some truth in that. But the ground of history has a way of shifting the most basic of assumptions from beneath the most scrupulously imagined situations. Dystopias are no more real than utopias. None of us ever really inhabits either - except, in the case of dystopias, in the relative and ordinarily tragic sense of life in some extremely unfortunate place.

This is not to say that Orwell failed in any way, but rather that he succeeded. "1984" remains one of the quickest and most succinct routes to the core realities of 1948. If you wish to know an era, study its most lucid nightmares. In the mirrors of our darkest fears, much will be revealed. But don't mistake those mirrors for road maps to the future, or even to the present.

We've missed the train to Oceania, and live today with stranger problems.

http://www.erasures.net/view.asp?Page=11
http://www.egzero.org/UHP
http://www.crm-music.org/MS2003.html
http://artists.mp3s.com/artists/116/minez.html
http://www.slowsound.net/

La natura-radice non è prodotta; i sette principi successivi, vale a dire la mente, eccetera, sono allo stesso tempo produttivi e prodotti, mentre gli altri sedici sono soltanto prodotti. L'anima infine non è né produttiva né prodotta.